3.02.2013

Happy Birthday, Mom!!

Just a few more photos from the trove of good times :)

2.24.2013

Poly '93 Athletic Awards

Just came across this old binder of great pics of the athletes that made Pasadena Polytechnic the true early 90s powerhouse that it was. 20 years ago...

10.29.2012

Cocktail Recipe: Spittin' Sandy

As we batten down the hatches, no better way to enjoy a Monday afternoon with your loved one than to share a spirit from where Sandy's origins.

Spittin' Sandy
1 oz El Dorado 15 yr dark rum
3 oz Havana Club 7 yr anejo rum
1 oz Cointreau
1 oz grenadine
2 oz pineapple juice
2 oz orange juice
1 oz lime juice
Ice

Directions:
Mix fruit juices, Cointreau and Havana Club with ice in a pitcher. Stir vigorously. Pour over rocks, evenly divided between two highball glasses. Give each glass a half ounce topper of grenadine and dark rum. Enjoy with a loved one, repeat as necessary until the coast is clear.

2.19.2011

Shaking Off Winter

On a day showing just a dusting of flakes, we are hoping that this is a sign of Winter throwing in the towel to make way for Spring.

The view from The Peninsula Spa as we look over Central Park leaves us optimistic for good running days ahead.

Until then, our feet will be right here poolside.









Location:E 56th St,New York,United States

2.09.2011

OMG Look Whoz Blogging FWNY


More and more, the fashion houses are carving out coveted seats amidst the most select fashion editorial movers and shakers at the semi-annual occasion of NY's Fashion Week to make room for ... bloggers. Like Arnel Pineda winning the role of Journey's frontman after they saw his Perry-esque vocal stylings on Youtube, fashion enthusiasts of the blogosphere are finding their way behind the velvet ropes and catwalk adjacent as designers look to tap into their collective influence.

While holding a camera up and recording a snippet of Wolf Parade at Webster Hall, me the editor in chief of SPIN Magazine it does not make, brand marketers are leveraging consumers' ability to draw a following of peers to help shape interest.

Per today's Wall Street Journal:

"Luxury labels, which once shied away from e-commerce for fear of muddying their brands, are now embracing blogging and social-media tools such as Tumblr and Twitter because they provide a direct way to reach fashion-conscious consumers."


As NY, Paris and Milan are the dominant epicenters of the fashion community, technology is enabling even a teenager from suburban Chicago such as Tavi Gevinson to build her voice - catapulting her even into the pages of The New Yorker.


Stay tuned as even I throw my two cents in, live-blogging from tomorrow night's Christian Siriano show.

12.09.2009

Free Costs Too Much

Incredibly poignant presentation of the value of content and the necessity of establishing a working model to properly compensate its creators by Les Hinton, CEO of Dow Jones.

Hinton Remarks to World Newspapers: Free Costs Too Much
December 1, 2009

Thank you.

I was invited here to talk about the value of journalism. About how we at News Corp and Dow Jones have worked to create a debate about the future of journalism in the digital world.

We have deployed some lavish language to stir things up.

We have called Google a digital vampire, and a parasite.

We have pointed the finger at the content kleptomaniacs of the internet whose business models depend on purloining the expensive journalism of mainstream media.

But now a little context. I use Google just as most of you do. It's great. What it does to enhance and enrich our lives makes it a true wonder of the age.

It is true that Google is at the heart of the crisis confronting journalism today. That their almost incalculable - and growing - power warrants great vigilance.

But the main, and most uncomfortable, truth is that this industry is the principal architect of its greatest difficulty today.

We are all allowing our journalism - billions of dollars worth of it every year - to leak onto the free internet. We are surrendering our hard-earned rights to the search engines, and aggregators, and the out-and-out thieves of the digital age.

It is time to pause and recognize this - Free Costs Too Much.

News is a business, and we should not be ashamed to say so. It's also a tougher business today than ever before. We have survived other perceived threats - radio, television, cable TV.

But this time it is different.

How can it be that the Internet offered so much promise and so little profit? A lot of newspaper people were taken in by the game-changing gospel of the internet age. It was a new dawn, we were told. A new epoch, a new paradigm. And we just didn't get it.

Like an over-eager middle-aged dad, desperate to look cool, we ended up dancing obediently to other people's tunes. For a while.

You can almost hear the music - an algorithm and blues soundtrack - accompanying the harbingers of the new economy with the new rules of the new age. Their rules.

These digital visionaries tell people like me that we just don't understand them. They talk about the wonders of the interconnected world, about the democratization of journalism. The news, they say, is viral now - that we should be grateful.

Well, I think we should paraphrase a famous old saying and remember to ------ beware of geeks bearing gifts.

Here we are in 2009 - more viral, less profitable.

Because news costs. Because quality costs. Because free sets the price too low. Because free is too expensive.

I read an estimate the other day by Rick Edmonds of Poynter Institute. He calculates that U.S. newspapers were a $60 billion industry in 2006, with advertising revenues around $49 billion and circulation revenue at $11 billion. This year he forecasts that advertising will plunge nearly $20 billion and circulation by $2.5 billion.

A $60 billion industry is on its way to $37 billion in three short years. At the same time, Edmonds figures, the crucial spend on journalism - on content - fell by more than $1.5 billion.

That's a lot of jobs. A lot of articles unwritten. A lot of malfeasance unmolested. A lot of stuff no one will ever know.

The blogosphere has an explanation, if not a justification, for what's transpired. The world has changed utterly, they type. It's the inevitability of the Internet. Or as Jeff Jarvis, a friend of mine but also a rival in that he is one of the leading proponents of the information-must-be-free imperative, puts it: The content economy is over.

Is it really?

It's been barely a decade since the Internet bubble burst on the information highway to the digital future. Ten years ago, it was taken for granted that Web sites supported by advertising were the future. Build it, and they will come. Eyeballs and advertisers. Clicks and cash.

We have learned a lot since then. Today, there is one thing we must agree about the content economy - the content economy that some tell us is over. That is, the one thing free news sites have in common with free online newspapers … is that virtually none is making any money.

They are in good company. Even Google is struggling to make money with free content on the Web - with YouTube.

YouTube probably defined viral on the Web more than any other site. It lets anyone upload any video they like for free. Millions did and do. It is a wonder of online traffic, which is why Google paid $1.65 billion to acquire YouTube just three years ago.

Now Google needs to make a profit on this acquisition. How do you make money on YouTube? It is supposed to come from advertising. But as it turns out, not enough companies wanted to put their advertising alongside home videos of pet dogs having baths, or kids doing karaoke in their bedrooms. So YouTube - Google - is resorting to paying millions for quality, professional content in an effort to lure the advertisers they need.

It makes one wonder just how long it will be before YouTube asks its viewers to start paying up.

Free costs too much.

Even advertisers, who once cared above all about clicks and page impressions, are starting to become more discriminating. More and more, they want to reach quality audiences to burnish the image of their brands.

A few months ago a study called "The Silent Click" by Comscore and the Online Publishers Association reinforced the reluctance of brand marketers to rely on click based metrics. It found that eighty percent of display ad clicks came from only sixteen percent of internet users.

Furthermore, these obsessive clickers are predominantly younger and lower paid than most web users.

Two weeks ago the Internet Advertising Bureau and Bain & Company released a study called "Building Brands Online."

This report highlights the disconnect between what brand marketers are now asking for in terms of quality measurement on the Web -- brand awareness, purchase intent, favorability -- versus what online publishers have traditionally been providing them -- click-thrus, unique visitors, ad impressions.

So, ironically, what they now want is more of the 'old media' metrics they are used to getting from print and television.

They are looking for intelligent, quality audiences. The same people who enjoy intelligent, quality journalism.

Obviously this is all great for the Wall Street Journal Digital Network. It supports what we have been saying all along; that audiences exposed to display advertising on high-quality content sites are more engaged, more favorable towards a brand, and are more likely to spend.

We are seeing evidence of this every day. For instance, homepage of WSJ.com has sold out for the last two months.

We can take heart that high-quality content can break out from the pack and earn the highest online advertising rates.

This is encouraging, but we know that advertising will never be enough. We need the primary customer to pay as well. Leaving the fate of our business in large degree to the cyclical economics of advertising is too dangerous.

In the digital world, constant innovation, product development and investment is needed to keep pace with the competition and serve our loyal customers.

It's not as if there's no precedent for charging for content online. In the U.S., online content from Major League Baseball and Consumer Reports have attracted large paying audiences.

Quality journalism is for sale too.

The Dow Jones's flagship - The Wall Street Journal -- has up to now - been the one major U.S. newspaper charging for content online.

At the same time it has been the one major newspaper that has been able to grow circulation and circulation revenue.

The Journal this year became the top-selling - selling - newspaper in the United States. And it did it by selling more subscriptions in print and online. It did it while garnering more individual subscriptions. It did it while charging more for those subscriptions.

If you are not finding new readers willing to pay, maybe it should come as no surprise. Newspapers available for free on the Web surely are making consumers an offer they can't refuse.

Now if you believe the bloggers, that is what newspapers should do. They should price their content at zero because the content isn't what's valued. The theory is it's the links to the content that give value, and the advertising they bring.

Convenient.

But who will buy all this advertising? Who is going to underwrite the cost of this content?

Let's not forget the basic economics: The rates on our ad cards increase when there is less competition, not more.

There is something else fundamental at work here.

Implicit in the false gospel of the Web is the faith that free is superior. And those who dare think otherwise are heretics and fools.

Charging for online news, they say, is unfair. By asking us to pay, newspapers are depriving readers of something they need and should have. Deserve, even. But neither the newsstand nor the Web is a lending library. Even Google has conceded it can't just reprint every book without due consideration to publishers and copyright owners. Why should journalism be different?

The book business hasn't surrendered its copyrights. The music business may have struggled for a time with the issue, but it hasn't surrendered either. Neither has television or movies. Why should we?

A business model that assumes we can't charge for the content we produce assumes that our content has no value in the online market. In pure economic terms, such a business model has to mean one of two things: Either there is no demand for the content or there are substitute supplies of that content sufficient to drive the price almost to zero.

I don't believe it. And I doubt you do either.

It seems rather naïve then - stupid, even - that so many newspapers would be so self-deprecating. That is the logical conclusion, after all, if we place zero value on the content - the news - which is our product.

Newspapers, particularly in the United States, have historically undersold themselves to their readers. Much as the blogosphere advocates today, newspapers in the 20th Century sacrificed circulation revenue for circulation volume in a quest for higher-margin advertising revenue.

Can't say it didn't work for a time. But look where it's left us…

At the Journal, we put elements of our publication outside the paid wall as a way to attract traffic and potential subscribers. The compelling proposition, however, is that the content that differentiates the Journal isn't free. You want the Journal's global scope, you want news, you want analysis and commentary - print or online - you pay.

The Journal has more than 2 million paying subscribers - and among them, more than a million who pay to take the newspaper digitally.

It is a puzzle that paying for content in 2009 strikes some as such an outrageous proposition.

Many of us here today are old enough to remember when television was free. Well, it isn't any more.

Just check your cable and satellite bills.

Even radio - omnipresent and forever free, right? In the U.S., nearly 20 million subscribers pay for radio from Sirius, the satellite radio operation. HBO built a name and a business entirely by persuading people to pay extra for content on television. SKY, Star - millions of consumers are willing to pay for content they want and value.

There are other examples from the Journal. The Journal now charges for news via online devices like I-Phone and Blackberry and the emerging e-readers like Amazon's Kindle. Already we can see that these new platforms will deliver millions in revenue.

For Dow Jones charging for content is a vertical proposition that assimilates the disparate needs of disparate audiences.

Our news has several lives and several levels of value. A government's employment figures, for instance, are instantaneously rendered as news by Dow Jones Newswires.

In a fraction of a blink of an eye, its first iteration is transmitted as algorithmic code to be recognized by Wall Street computers programmed to interpret and perhaps act.

That same headline goes at the same time to trading desks for subtler analysis. For this content, the price is handsome.

Next, the news is on The Wall Street Journal Web site. A reader pays up to $149 a year for that. Or maybe he will take it instead via I-Phone or Blackberry; that costs $100 a year. A reader using an e-reader pays $180 a year for the news. And in tomorrow's print edition, the price - the value, if you will - is $350 a year. In archival form in Factiva, more value will be delivered for years to come.

At the same time as we navigate our way into the digital future, everyone here knows that the newspaper business must rationalize the lingering inefficiencies which inhibit our industry.

Chief among those is the excess printing capacity which weighs us down. Behind the journalism, newspapers are of course huge manufacturing and distribution operations. So many of our plants sit idle much of the day.

The Journal is reducing its cost base significantly by tapping that excess capacity. Contracting with printers in locations around the U.S., we not only reduce the cost of production, we cut the cost of transportation.

This sounds like commonsense, but not so long ago - in America at least - this kind of co-dependence was unheard of. Newspaper companies were self-contained, relying entirely on their own staff and their own facilities.

Now watch for the Internet to be yet another inflection point in this regard. There is no reason why newspapers should build unique content- and payment-management systems on the Web.

Might as well build more printing plants.

It is possible in the internet revolution to re-conceive our business in a less costly context.

It will make sense for newspapers is to consolidate Web commerce functions. As a pioneer in online news payments, Dow Jones already has such a platform. When we rebuilt it recently, we added the capability to allow other newspapers to share our expertise.

Who knows when newspapers will no longer be characterized by the paper on which they are printed. Most of us in this room charge for content on paper and still collect a tidy sum in the process. Most of us still collect enough to continue to produce quality news and still produce a profit.

Eric Schmidt, Google chief executive, said recently about the debate on free versus paid:

As long as you're on the side of the consumer, you're pretty much on the right side of all these debates.

No doubt he is right. The consumer will determine the business. Consumers will seek the valuable over the vapid because they always do.

They will continue subscribing to newspapers if the newspapers provide the value they seek.

Barney Kilgore, the inestimable former editor of the Journal and CEO of Dow Jones, said something we ought to remember in this time of transition.

The man who would create the first national newspaper in the U.S. and redefine journalism in the process, said a long time ago:

The fish market wraps fish in paper. We wrap news in paper. The content is what counts, not the wrapper.

We can only wonder how things might have been different today had other newspapers done as the Journal did in 1996 and set a fair price for content online. We can only wonder what we would be talking about here today had newspapers recognized the import a decade ago of the bursting of the Internet bubble.

There isn't enough advertising to support every online aspiration.

And yet, for all our challenges, this remains an age of great promise for what we do.

Only a few hours ago in Washington DC, Rupert Murdoch, the chief executive of News Corporation and my boss, told the U.S. Federal Trade Commission:

…We now have the means to reach billions of people who until now have had no honest or independent sources of the information they need to rise in society, hold their governments accountable, and pursue their needs and dreams.

He also said:

In the future good journalism will depend on the ability of a news organization to attract customers by providing news and information they are willing to pay for.

Free costs too much. Good content is valuable. That hasn't changed. It never will. The question is who will provide the content and who will be compensated fairly for the value delivered.

Thank you.

11.13.2009

Leading the Charge

TechCrunch's Eric Schonfeld seems to enjoy the common villification of Rupert Murdoch in his assessment of News Corp's potential move to block Google from indexing the company's sites. Where he seems to find his angle is in pivoting the meaning of "lead" - as both Mr. Murdoch and Jon Miller speak of leading media companies towards a more sustainable paid model.

Schonfeld takes some liberty paraphrasing Miller concerning qualifying his statements about "saying that News Corp must 'lead' other media companies against Google". Miller never says anything about leading against Google - but speaks of leading towards a paid model for content. The relationship with Google is only once facet (albeit it an important one) for media companies developing a sustainably profitable model that allows for them to grow revenue streams that help to balance advertising volatility.

It's a risky proposition and one that will surely find nuance beyond the current histrionic stance. If we all might recall, Murdoch exclamed that he would be tearing town the walls of WSJ upon acquiring the company - then upon deep consideration and research recognized the value of a more moderate hybrid model for the site, where there are paid areas and subscriber-only areas. This is likely the reality of what we'll see, where different sites will have different areas of content - the most prized and proprietary to that particular source - behind a paid wall.

Mark Cuban provides a remarkably thoughtful in his summary of the Newscorp w/ or w/o Google scenarios:

1. Best Case: They opt out and see an increase in revenues and commitment to their sites because people choose to go directly to their sites. For those sites behind a paywall, they generate more revenue than when the site was free. Other sites notice their success and copy Newscorp, choosing to opt out of the Google index. The opt out choice turns out to be the better business move for any and all sites looking to increase revenues. Google’s position as the leading search engine is called into question. The Search business becomes competitive again. Content companies now understand how to best monetize their content efforts.


Far fetched ? Maybe. But not totally inconceivable.

2. Worst Case: They opt out of Google’s Index. Their traffic drops 99pct. No one buys their pay offerings. They all feel like idiots. Then the last idiot left in the office gets out the text editor and changes the robots.txt file or completely deletes it. They turn off the paywalls. Make the content free again. Life as they knew it before they opted out and started charging for content returns to normal as quickly as Google can reindex the Newscorp sites.

The upside of Option 1 is far more impactful than the downside is bad. There is no reason not to take the chance.

Man vs; Monkey vs. Strangefolk vs. Michelin Man

Anyone else notice the striking similarity between the new Michelin commercial and the Gorillaz "Fire Coming Out of the Monkey's Head"? The latter, created by Damon Albarn and featuring spoken word by none other than Dennis Hopper, is a part of a broader story sketched out through their tremendous album, Demon Days.

Check out the difference - or lack thereof - below.



9.07.2008

From the dentist's chair

Tchaikovsky's Violin Concerto in D has stuck with me as a favorite since having a cap put on in 1999 and I've always been on the hunt to see it performed lived. My google alert sends me on goosehunts for performances - usually of other Tchaikovsky performances, renditions by the NY Phil from 1972 or Mr. Holland's Opus ... dang. Well this popped up and it's a pretty good find ... will hold me over for a bit... let me know if you hear of anything in your nape of the way ... local jr. high school performance or a good friend who's mastered it on the kazoo. In the interim, may have to go in for another filling.